|Coat/Jacket||Semi-fitted, thigh-length, single-breasted, three button fastenings, narrow sleaves with stitched cuffs, small collars, narrow lapels, braided edges piped pockets, wool cloth.|
|Waistcoat||Fitted, single-breasted, collarless, welt pockets, silk or matching coat.|
|Trousers||Straight cut, narrow at ankle, wool cloths, checked cloths popular.|
|Shirt||High stiff collar points, and sleave cuffs, pleated fronts, linen.|
|Colour||Dark colours, Black, blue, grey, brown, green; coats and trousers in matching collar; waistcoats in bright colours.|
|Accessories||Top hats, stocks, cravats, bow ties, pocket handkerchiefs, leather gloves, spats worn with ankle-boots and shoes, walking cane.|
1868. German. Single breasted wool jacket, small collar and wide revers, top stitched edges, single breasted , buttoned-flap pockets, matching hip level pockets, stitched cuffs button detail. Narrow trousers in matching fabric. Single breasted red wool waistcoat, small shawl collar. White shirt turn down collar. silk neck tie. Black shoes warn with spats, black bowler hat, grey gloves, walking cane. (JP)
1865, Gray sack coat with small stand up collar, buttoned only at the top two buttons to reveal a yellow waistcoat worn with grey checked trousers A grey top hat and spats, and yellow dog skin gloves complete the outfit. *
|1865, Girl's wool street sack coat. Edged with silk cord. The wrap is worn over a plaid poplin dress. Felt hat is trimmed with ribbon. *|
|1867, Sportswear by Gilguin Fils. *|
|2) This late 1860s gown features a free-flowing back
panel (known as a Watteau Back) and a square neckline both
these features were popular a hundred years earlier in the 18th
century. Coat sleeves decorated with pleated tabs and surmounted by a
short jockey sleeve or decorative banding were a common feature between
1867-1869. The neck-line is filled in with a light coloured tucker and she
wears a long watch chain.
Comments By Kay Inverarity
|8. In this photo from the very end
of the 1860s the woman’s hairstyle is beginning to show the
characteristics of the 1870s, it has some fullness at the top. She also
appears to be wearing a jet chain and mourning broach.
Comments By Kay Inverarity
1840 - 1868: Gothic to Crinoline
Skirts: straight panels to 1863 when goring of front panels create a triangular shape and a backward shift. Gauging introduced in the 1840s and is used with gathering and pleating to control fullness. Box pleats used in the 1860s. From about 1865 there is hardly any fullness in the waist, the skirt size controlled by gores. Fullness is controlled by petticoats until the invention of wire hoops in 1856. Skirts are fairly plain for day wear in the 1840s, ruffles and layers in the 1850s, and surface decoration in the 1860s. Walking dresses in the 1860s which loop up to reveal fancy petticoats.
Skirts in the 1840s mostly have only the hem lined up to knee level. This can also occur in the ‘50s and ‘60s, but they can also be lined throughout. Hems in the 50s and ‘60s often have binding on the edge to protect from wear.
Bodices: long waisted and fan fronted in the 1840s. Fan front can occur in the ‘50s and early ‘60s. Normal level waist in the 1850s through to the early ‘60s, then it rises around 1865. Back fastening usual, but front fastening does occur, with hooks and eyes until about 1850. Front fastening more common in 1850s, and sees the use of buttons on female dress, mostly small in size. Evening dress is always back fastening. Round and scoop neckline in the 1840s. V- neckline fashionable in the early 1850s worn with a chemisette (chemisettes also worn earlier). Round neck for day in the ‘50s and ‘60s and scoop for evening. Some separate skirts and bodices in ‘50s and ‘60s. Armhole slightly off the shoulder, more extreme in the early 1860s. All bodices are interlined with boning at CF, front darts and side seams. Main seams and edges piped.
Sleeves: tight bias cut sleeves in the early 1840s, then funnel or bell shaped in the late ‘40s and early ‘50s, getting progressively larger towards the 1860s ( 1848 - 1863).
2 piece coat sleeve from 1863 which gets tighter towards 1868.
Evening sleeves are short. In the 1840s, some day sleeves are short, especially for young girls.
Deborah V. McKeown 1997
Where marked (JP) the Drawings and text by John Peacock from his book Men's Fashion: The Complete Sourcebook, ã 1996 Thames & Hudson Ltd,s London. Reproduced by kind permission of Thames & Hudson Ltd, London.
Where marked * Picture and notes are based on notes from Dover Publications.